{"id":17907,"date":"2025-12-16T04:10:45","date_gmt":"2025-12-16T04:10:45","guid":{"rendered":"https:\/\/resurrectionfilms.co.uk\/home\/?page_id=17907"},"modified":"2025-12-16T04:12:10","modified_gmt":"2025-12-16T04:12:10","slug":"tyb","status":"publish","type":"page","link":"https:\/\/resurrectionfilms.co.uk\/home\/tyb\/","title":{"rendered":"The Yellow Balloon: The Curse of Vincent Vile"},"content":{"rendered":"

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\n\t\t\t\tThe Yellow Balloon\t\t\t<\/h4>\n\t\t\t<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/3″][vc_column_text css=””]<\/p>\n

The Yellow Ballon: <\/span><\/p>\n

The Curse of Vincent Vile<\/span><\/p>\n

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Synopsis<\/strong><\/p>\n

The Yellow Balloon<\/em> is a horror\u2013comedy that follows a group of friends seeking emotional escape after a painful breakup, only to encounter a malevolent force that weaponizes desire, guilt, and repression. After Mia is publicly dumped by her pretentious boyfriend Seth, her closest friends\u2014Harper, Travis, and Eli\u2014arrange a weekend retreat to a remote cabin in the woods, intending to provide comfort, distraction, and emotional recalibration. What begins as an attempt at collective healing quickly deteriorates into a night of escalating dread.<\/p>\n

Unbeknownst to the group, the cabin is already marked by a series of unexplained disappearances linked to Ringmaster Vincent Vile, a decaying carnival figure who operates as both host and manipulator. Through cursed yellow balloons and hypnotic media artifacts, Vincent Vile exerts psychological control over his victims, amplifying their suppressed impulses and vulnerabilities until they manifest in violent and grotesque ways. Exposure to the balloon\u2019s influence results in possession, hallucinations, and extreme behavioral disinhibition, blurring the boundary between internal desire and external threat.<\/p>\n

As the friends confront increasingly lethal manifestations of the balloon\u2019s power\u2014including the possession and death of Seth\u2014the group is forced to reckon not only with a supernatural antagonist, but with their own unresolved emotional fractures. Attempts to flee are thwarted as the influence spreads, turning allies into threats and intimacy into a weapon. The narrative culminates in a desperate struggle for survival, in which resistance depends on confronting the psychological hooks that allow the curse to take hold.<\/p>\n

Blending visceral horror with sharp, absurdist comedy, The Yellow Balloon<\/em> uses exaggerated violence and satire to explore themes of emotional dependency, repression, and the consequences of avoiding personal accountability. The film positions fear as both an external force and an internal condition, suggesting that what destroys the characters is not merely the monster they encounter, but the parts of themselves they refuse to confront.<\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”17909″ img_size=”medium” alignment=”center” css_animation=”fadeInDown” css=””][vc_single_image image=”17910″ img_size=”full” alignment=”center” style=”vc_box_shadow_3d” onclick=”link_image” css_animation=”slideInUp” css=””][vc_empty_space][vc_column_text][\/vc_column_text][vc_column_text css_animation=”bounceInDown” css=””]<\/p>\n

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The Yellow Balloon<\/em> is a horror\u2013comedy in which a group of friends retreat to a remote cabin after a painful breakup, only to discover it is tied to Ringmaster Vincent Vile, a decaying carnival figure who preys on emotional vulnerability. Through cursed yellow balloons and hypnotic media, suppressed desires and anxieties are amplified, leading to possession, violence, and grotesque consequences. As the influence spreads and escape collapses, the survivors are forced to confront both a supernatural threat and the unresolved emotional fractures that allow it to thrive.<\/h3>\n

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\n REVIEWS<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n\t\t\t\tThe Yellow Balloon\t\t\t<\/h4>\n\t\t\t<\/div>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text css_animation=”fadeIn” css=””]<\/p>\n

The Yellow Balloon<\/em> is a horror\u2013comedy following a group of friends seeking emotional escape after a painful breakup, only to encounter a malevolent force that weaponizes desire, guilt, and repression. After Mia is publicly dumped by her pretentious boyfriend Seth, her friends Harper, Travis, and Eli organize a weekend retreat to a remote woodland cabin meant to provide comfort and distraction. What begins as an attempt at healing quickly unravels into escalating dread.<\/p>\n

The cabin is tied to a string of disappearances linked to Ringmaster Vincent Vile, a decaying carnival figure who manipulates victims through cursed yellow balloons and hypnotic media. These artifacts amplify suppressed impulses, leading to possession, hallucinations, and extreme violence. As the influence spreads\u2014culminating in Seth\u2019s possession and death\u2014the group is forced to confront both a supernatural threat and their own unresolved emotional fractures.<\/p>\n

Blending grotesque horror with absurdist comedy, The Yellow Balloon<\/em> explores how unexamined desire and emotional avoidance can become destructive, positioning fear as both an external force and an internal condition.<\/p>\n

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\n CAST<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n\t\t\t\t\t\t\t\tRobert Carrera\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRole: Travis<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
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Mac (30s), a charming yet aimless jack-of-all-trades, currently ``in between jobs,`` with an unapologetic streak of laziness masked by his sharp wit and humor.<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_empty_space]\n

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\n\t\t\t\t\t\t\t\tJustine Levette\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tCAST: Mia<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_empty_space]\n
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\n\t\t\t\t\t\t\t\tShelby Broadnax\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRole: Harper<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
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Skyler (Late 30s), is Mia's best friend and a darkly confident, no-filter individual who thrives on blunt humor and bold statements. She exudes charisma and takes pride in her ability to remain cool under pressure.<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_empty_space]\n

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\n\t\t\t\t\t\t\t\tJustin Jobe\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tCAST: Eli<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_empty_space]\n
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\n\t\t\t\t\t\t\t\tScott Somers\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRole: SAM<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
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Ringmaster Vincent Vile<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_empty_space]\n

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\n\t\t\t\t\t\t\t\tTimothy Waldron\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRole: Lisa<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_empty_space]\n
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\n\t\t\t\t\t\t\t\tLeah Bernard\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRole: AMANDA<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
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Amanda (Late 30s), is Lisa's fierce Producer independent and pragmatic.<\/p>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_empty_space]\n

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\n\t\t\t\t\t\t\t\tDavid Minard\t\t\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRole: The Yellow Balloon Man<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column]
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\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t <\/span>\n \t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>[vc_empty_space][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”9001″ img_size=”large”][\/vc_column_inner][vc_column_inner width=”1\/2″]\n
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\n Director * Editor * Co-Producer * Executive Producer<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n Jason D. Morris<\/span>\n <\/h3>\n <\/div>\n\n
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\n Known for the feature films Millennium After the Millennium (2019), Dark Winter (2018), Collapse (2016), Story of Eva (2015), Betrayal (2013) and Hell House (2008), the upcoming Haunted Objects (Vol. 1) (2025) and Echoes of the Unknown (2025).<\/p>\n

After attending the Academy of Art University in San Francisco Jason went on to produce films and other media garnering a bronze Telly award in 2007 among other festival awards.<\/span>\n <\/div>\n\n<\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”9005″ img_size=”large”][\/vc_column_inner][vc_column_inner width=”1\/2″]\n

\n
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\n Writer * Co-Producer<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n Robert Carrera<\/span>\n <\/h3>\n <\/div>\n\n
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\n Robert Carrera is a film writer, director, actor and producer. Raised in the East Bay Area of California, he found his calling for filmmaking at a very young age.<\/p>\n

He studied at the New York Film Academy, earning top marks, before continuing his education at the Academy of Art University in San Francisco, where he quickly earned acclaim among his peers and mentors.<\/p>\n

Robert has been making films for more than ten years, and has created a dream team of people he frequently works with, among whom is Matthew Gatsos, who scores most of his films.<\/p>\n

Known for incorporating alternate reality fantasies in the midst of very serious realities, his stories have a way of captivating the audience and making them feel invested in his characters. As a common theme, you\u2019ll usually find his protagonists facing obstacles involving love and\/or deception.<\/p>\n

Robert won Best Picture for his short film \u201cConsequence\u201d (2009) at the Epidemic Film Festival and received Best Director for \u201cThe Wedding\u201d (2008) at the Vallejo Film Festival.\u201d<\/span>\n <\/div>\n\n<\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”9004″ img_size=”large”][\/vc_column_inner][vc_column_inner width=”1\/2″]\n

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\n Co-Producer<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n Matthew J.D. Gatsos<\/span>\n <\/h3>\n <\/div>\n\n
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\n Originating from the East Bay Area of Northern California, Matthew Gatsos has been writing music of various genres for over 25 years. Techno, House and other electronic music under his moniker n30fr05t (Neofrost) and coldwave industrial in the group Ghosts in the Attic. Gatsos branched out years ago into film composing, having now scored dozens of shorts and feature films he has taken on the role of producer for The Space Rodent.<\/span>\n <\/div>\n\n<\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space]\n
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\n REVIEW LINKS<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n \n It's pure escapism, it's ridiculous, it's impressively crude, and intentionally over the top. <\/a>\n <\/div>\n
\n \n 'The Space Rodent' is a lo-fi genre film with incredible energy. <\/a>\n <\/div>\n
\n \n You will be blown away by everything that comes out of the wacky indie horror-comedy <\/a>\n <\/div>\n
\n \n Laughable, ridiculous and great fun, The Space Rodent will be enjoyed by many fans of 80s and 90s cult cinema <\/a>\n <\/div>\n
\n \n Ultimately, The Space Rodent isn't trying to be anything more than a low-budget, self-aware romp that delivers both laughs and shocks. <\/a>\n <\/div>\n
\n \n It's campy and edgy to the max, featuring a plethora of gross-out sequences that leave absolutely nothing to the imagination. <\/a>\n <\/div>\n
\n \n Packed with humor, action, and a touch of the absurd, \u201cMAC-D vs The Space Rodent\u201d delivers a fresh take on the alien invasion genre <\/a>\n <\/div>\n
\n \n Blending comedic mishaps, thrilling action, and a dose of small-town charm, "The Space Rodent" is an unconventional tale of friendship <\/a>\n <\/div>\n
\n \n Sci-fi comedy Mac-d vs The Space Rodent unveils a trailer <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \t<\/div>\n<\/div>[vc_column_text][\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/3″][\/vc_column][vc_column width=”1\/3″][vc_column_text css=””] The Yellow Ballon: The Curse of Vincent Vile Synopsis The Yellow Balloon is a horror\u2013comedy that follows a group of friends seeking emotional escape after a painful breakup, only to encounter a malevolent force that weaponizes desire, guilt, and repression. After…<\/p>\n","protected":false},"author":1,"featured_media":17908,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-17907","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/pages\/17907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/comments?post=17907"}],"version-history":[{"count":3,"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/pages\/17907\/revisions"}],"predecessor-version":[{"id":17954,"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/pages\/17907\/revisions\/17954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/media\/17908"}],"wp:attachment":[{"href":"https:\/\/resurrectionfilms.co.uk\/home\/wp-json\/wp\/v2\/media?parent=17907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}